Articles

Aditya Sarpotdar’s film about Reshma Pathan, the woman who performed Hema Malini’s stunts in Ramesh Sippy’s classic will be out on Zee5 on March 8, 2019. Pathan has also worked as a body double in the 1970s and ’80s, but like most stuntwoman in her profession, her contribution to the industry has remained behind the scenes.

Starring in films can't be a dangerous job unless someone brings your cappuccino late, right? After all, even if the script has some dangerous...

Stuntwoman Ming Qiu has an impressive lineup of films including Charlie’s Angels, Kill Bill, and Ultraviolet. Inside Kung Fu magazine saluted her as their 2006 Woman of the Year. In a recent interview, the veteran wushu champion quickly brushed aside any suggestions of celebrity. “I’m a very low key person,” she insisted.

https://www.youtube.com/watch?v=NgTi2qa34BY There are a small number of gutsy Hollywood stars who insist on doing their own stunt work. But because most A-listers are happy to...

For Hollywood stuntwoman Janene Carleton, a typical day at the office might involve jumping off a building, or from a moving vehicle, or perhaps...

Stunt work is dangerous, but someone’s got to do it. Behind every great action film is a stuntwoman who risked her life to pull...

“Hopefully, people will see that we are not people to look over.” Keisha Tucker is a member of one of Hollywood’s most superlative, small, but...

If you'd worked as body doubles for the likes of Charlize Theron, Cara Delevingne and X-Men's Rebecca Romijn like world-famous Canadian trainer Monique Ganderton has,...

Extreme dangers of the job: With seasoned pros stretched thin, productions are hiring haphazardly and cutting corners as stunt performers go public with complaints...

Crystal Riley uses the stunts of Helen Gibson in her talk entitled The Stunts of Helen Gibson: What Could Possibly Go Wrong? Join Crystal while she discusses tales of peril and possibility, jeopardy and chance; of flirting with danger and being willing to lose it all in this Odd Salon lecture.